Not Cultural Politics (uh-oh)
So, look, scampering at the heels of maxim number three is number four:
cultural phenomenology is not cultural
politics. The paragraph you are about
to read is the one I have nervously nudged and patched the most. I would
like to loosen the compulsory link between the work of cultural analysis
or cultural poetics and the aims and processes of politics. I do not mean
to imply by this any indifference to politics in general, or waning of belief
in the necessity of commitments and struggles of a political kind. Actually,
just the opposite, as is presently about to appear. The thing is, I no longer
want my political commitments to be measured by or subsumed in my academic
work. Indeed, I believe that those associated with the left in humanities
and cultural studies have been led badly astray by seeing the pursuit of
their subject as a way of doing politics, even as the way of doing
politics. My own political commitments are to socialism, and they remain
strong and unswerving; so strong and unswerving, in fact, that they neither
have need of proof from the evidence of culture and cultural criticism, nor
are likely to experience any serious rebuff from such quarters. Whether I
use whatever writing I do about culture to proclaim the necessity of this
or that programme of political reform or moral self-transformation, or to
tend a private garden of preoccupations will no longer make any difference
to my politics. Politics has better, more tedious, more mundane and more
overwhelmingly important things to concern itself with than cultural
phenomenology; and cultural phenomenology can produce more valuable work
if it resists mistaking itself for a kind of politics. Naturally the oughtness
in `cultural phenomenology ought to refrain from seeing itself as a kind
of politics' is a pragmatic, all-things-considered kind of oughtness, not
itself a matter of trumping political principle. Cultural phenomenology ought
to resist conceiving itself as anything in particular at all. It has no use
for such a conceptual self-image.
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| Steve Connor | English and Humanities | Birkbeck College |