Steven Connor: Publications, 1980-

| Books | Edited Books | Essays in Volumes | Essays in Journals | Reviews | Forthcoming |

Books

Charles Dickens (Oxford: Basil Blackwell, 1985) 184 pp.

Samuel Beckett: Repetition, Theory and Text (Oxford: Basil Blackwell, 1988) 222 pp.

Postmodernist Culture: An Introduction to Theories of the Contemporary (Oxford: Basil Blackwell, 1989) 274 pp.
--------------- 2nd, revised and enlarged edn (Oxford: Blackwell, 1996) 327 pp.

Theory and Cultural Value (Oxford: Basil Blackwell, 1992), 276 pp.

The English Novel in History, 1950 to 1995 (London: Routledge, 1995).

James Joyce (Exeter: Northcote House, 1996).

Dumbstruck: A Cultural History of Ventriloquism (Oxford: Oxford University Press, 2000) 450 pp.

The Book of Skin (London: Reaktion; Ithaca: Cornell University Press, 2004) 304 pp.

Fly (London: Reaktion, 2006)

Edited Books

(ed.) Samuel Beckett's `Waiting for Godot' and `Endgame': A New Casebook (Basingstoke: Macmillan, 1992)

(ed.) Charles Dickens, Oliver Twist, (`Everyman Dickens', London: Dent, 1994), edited with introduction, notes and guide to criticism.

(ed.) Charles Dickens, The Mystery of Edwin Drood (`Everyman Dickens', London: Dent, 1996), edited with introduction, notes and guide to criticism.

(ed.) Charles Dickens (London: Longman 'Critical Readers', 1996).

(ed.) The Cambridge Companion to Postmodernism (Cambridge: Cambridge University Press, 2004).

Essays in Books

`Myth and Metamyth in Max Muller and Walter Pater', in The Sun Is God: Painting, Literature and Mythology in the Nineteenth Century, ed. J.B. Bullen (Oxford: Oxford University Press, 1988), pp. 199-224.

`The Birth of Humility: J.G. Frazer and Victorian Mythography', in Sir James Frazer and the Literary Imagination, ed. Robert Fraser (London: Macmillan, 1990), pp. 61-80.

`Space, Repetition and Theatre in Beckett', in Rethinking Beckett, ed. Lance St. John Butler (London: Macmillan, 1990), pp. 1-19.

`The Spaces of Criticism: Centre and Margin in Structuralism and Post-Structuralism', in Encyclopaedia of Literature and Criticism, ed. Martin Coyle, Peter Garside, Malcolm Kelsall and John Peck (London: Routledge, 1990), pp. 736-49.

`Points of Departure: Deconstruction and John Ashbery's "Sortes Vergilianae" ', in Contemporary Poetry Meets Modern Theory, ed. Antony Easthope and John O. Thompson (Hemel Hempstead: Harvester/Wheatsheaf, 1991), pp. 5-18.

`Between Theatre and Theory: Long Observation of the Ray', in The Ideal Core of the Onion: Reading Beckett Archives, ed. John Pilling and Mary Bryden (Reading: Beckett International Foundation, 1992), pp. 79-98.

`Authority, Authorship and Self-Reference in Joyce and Beckett', in Re: Joyce and Beckett, ed. Phyllis Carey and Edwin Jewinski (New York: Fordham University Press, 1992), pp. 147-59.

`Aesthetics, Pleasure and Value', in The Politics of Pleasure: Aesthetics and Cultural Theory, ed. Stephen Regan (Buckingham and Philadelphia: Open University Press, 1992), pp. 203-20.

`Modernism and Postmodernism', in Companion to Aesthetics, ed. David Cooper (Oxford: Blackwell, 1993), pp. 288-93.

`Over Samuel Beckett's Dead Body', in Beckett in Dublin, ed. Steve Wilmer (Dublin: Lilliput Press, 1992), pp. 100-09.

`Between Earth and Air: Value, Culture and Futurity', in Mapping the Futures: Local Cultures, Global Change, ed. Jon Bird, Barry Curtis, Tim Putnam, George Robertson and Lisa Tickner (London: Routledge, 1993), pp. 229-36.

` "All Twined Together...So Much Toil and Play": Beckett's Ludic Travail', in Surprised By Scenes: Essays in Honour of Yasanuri Takahashi, ed. Yasanuri Takada (Tokyo: Kenkyusha, 1993), pp. 23-43.

`In Exemplification', in The State of Theory, ed. Richard Bradford (London: Routledge, 1993), pp. 35-54.

`The Necessity of Value', in Principled Positions: Postmodernism and the Recovery of Value, ed. Judith Squires (London: Lawrence and Wishart, 1993), pp. 31-49.

`"Jigajiga...Yummyyum...Pfuiiiiiii!...Bbbbblllllblblblblobschb!": "Circe" 's Ventriloquy', in Reading Joyce's `Circe'(European Joyce Studies, 3), ed. Andrew Gibson, (Amsterdam: Rodopi, 1994), pp. 93-142.

` "Beware of Imitations": Joyce, Beckett and the Logical Machine of Mimesis', in In Principle, Beckett is Joyce, ed. Friedhelm Rathjen (Edinburgh: Split Pea Press, 1994), pp. 29-44.

`The Imaginary and the Symbolic in Great Expectations' in Great Expectations: A New Casebook, ed. Roger Sell (Basingstoke: Macmillan, 1994), pp. 166-76. Reprinted from Charles Dickens, 1985.

'Rewriting Wrong: On the Ethics of Literary Reversion', in Liminal Postmodernisms: The Postmodern, the (Post-)Colonial, and the (Post-)Feminist, ed. Theo D'haen and Hans Bertens (Amsterdam and Atlanta, Ga.: Rodopi, 1994), pp. 79-97.

'British Surrealist Poetry in the 1930s', in British Poetry 1900-50: Aspects of Tradition, ed. Gary Day and Brian Docherty (Basingstoke: Macmillan, 1995), pp. 169-92.

`Postmodern Performance', in Analysing Performance: A Critical Reader, ed. Patrick Campbell (Manchester: Manchester University Press, 1995), pp. 107-24.

`Reading: The Contretemps', in Strategies of Reading: Dickens and After, ed. Nicola Bradbury (Yearbook of English Studies, Vol 26, 1996), pp. 232-48.

`Deconstructing Hard Times' in David Copperfield and Great Expectations: A New Casebook, ed. John Peck (Basingstoke: Macmillan, 1995), pp. 155-70. Reprinted from Charles Dickens, 1985.

` "I...AM A...": Addressing the Jewish Question in Joyce's Ulysses', in The Jew in the Text: Modernity and the Construction of Identity, ed. Tamar Garb and Linda Nochlin (London: Thames and Hudson, 1995), pp. 219-32.

`Babel Unbuilding: The Anti-Archi-Rhetoric of Martin Chuzzlewit', in Dickens Refigured: Bodies, Desire and Other Histories, ed. John Schad (Manchester: Manchester University Press, 1996), pp. 178-99.

`After Cultural Value: Ecology, Ethics and Aesthetics', in Ethics and Aesthetics: The Moral Turn of Postmodernism, ed. Gerhard Hoffmann and Alfred Hornung (Heidelberg: Universitätsverlag Carl Winter, 1996), pp. 1-12

`Space, Place and the Body of Riot in Barnaby Rudge', in Charles Dickens, ed. Steven Connor (London and New York: Longman `Critical Reader', 1996), pp. 211-29.

`Cultural Sociology and Cultural Sciences', in The Blackwell Companion to Social Theory, ed. Bryan S. Turner (Oxford: Basil Blackwell, 1996), pp. 340-68.

`Beckett's Interdictions', in International Aspects of Irish Literature, ed. Toshi Furomoto, George Hughes, Chizuko Inoue, James McElwain, Peter McMillan and Tetsuro Sano (Gerrard's Cross: Colin Smythe, 1996), pp. 313-22.

`The Modern Auditory I', in Rewriting the Self: Histories From the Renaissance to the Present, ed. Roy Porter (London and New York: Routledge, 1996), pp. 203-23.

` "From the House of Bondage to the Wilderness of Inhabitation": The Domestic Economies of "Ithaca" ', Reading Joyce's 'Ithaca', ed. Andrew Gibson (Amsterdam and Atlanta GA: Rodopi, 1996), pp. 199-226.

`Feel the Noise: Excess, Affect and the Acoustic', in Emotion in Postmodernism, ed. Gerhard Hoffmann and Alfred Hornung (Heidelberg: Universitätsverlag Carl Winter, 1997), pp. 147-62.

`Raymond Williams's Time', in Raymond Williams Now: Knowledge, Limits and the Future, ed. Jeff Wallace, Rod Jones and Sophie Nield (London: Macmillan, 1997), pp. 163-80.

'Echo's Bones: Myth, Modernity and the Vocalic Uncanny', in Myth and the Making of Modernity, ed. Michael Bell and Peter Poellner (Amsterdam and Atlanta, GA: Rodopi, 1998), pp. 213-35.

`The Ethics of the Voice', in Critical Ethics: Text, Theory and Responsibility, ed. Dominic Rainsford and Tim Woods (London and New York: Macmillan/St. Martin's, 1999), pp. 220-37.

`The Machine in the Ghost: Spiritualism, Technology and the "Direct Voice" ', in Ghosts: Deconstruction, Psychoanalysis, History, ed. Peter Buse (London: Macmillan, 1999), pp. 203-25.

'Auf schwankendem Boden', Samuel Beckett, Bruce Nauman (Vienna: Kunsthalle Wien, 2000), pp. 80-7. English version.

'Satan and Sybil: Talk, Possession and Dissociation', in Talk Talk Talk: The Cultural Life of Everyday Conversation, ed. S.I. Salemensky (New York and London: Routledge, 2001), pp. 163-80.

'Seeing Feelingly', in The Nature of the Beast: Peter Randall-Page, New Sculpture, Drawings and Prints (Nottingham: Djanogly Art Gallery, 2001), pp. 2-7.

'Mortification', in Thinking Through The Skin, ed. Sara Ahmed and Jackie Stacey (London and New York: Routledge, 2001), pp. 36-51.

'Foreword: Coming to Be', in Becoming Human: New Psepectives on the Inhuman Condition, ed. Paul Sheehan (Westport, CT and London: Praeger, 2003), pp. ix-xvi.

'Toward a New Demonology', in Becoming Human: New Perspectives on the Inhuman Condition, ed. Paul Sheehan (Westport, CT and London: Praeger, 2003), pp.103-111.

'Topologie: Michel Serres e le forme del pensiero', trans. Chiara Battisti and Sidia Fiorato, in Letteratura e scienzia, ed. Daniela Carpi (Bologna: Re Enzo Editrice, 2003), pp. 199-214. (Italian translation of Topologies: Michel Serres and the Shapes of Thought).

'What Can Cultural Studies Do?' in Interrogating Cultural Studies: Interviews in Cultural Theory, Practice and Politics, ed. Paul Bowman (London: Pluto Press, 2003).

‘The Help of Your Good Hands: Reports on Clapping’, in The Auditory Culture Reader, ed. Michael Bull and Les Back (Oxford and New York: Berg, 2003), pp. 67-76.

'Afterword', in The Victorian Supernatural, ed. Nicola Bown, Carolyn Burdett and Pamela Thurschwell (Cambridge: Cambridge University Press, 2004), pp. 258-77.

'Edison's Teeth; Touching Hearing', in Hearing Cultures: Essays on Sound, Listening, and Modernity, ed. Veit Erlmann (Oxford and New York: Berg, 2004), pp. 153-72.

'The Strains of the Voice', trans. (into German), Holger Wölfle, in Phonorama: Eine Kulturgeschichte der Stimme als Medium (Berlin: Matthes and Seitz, 2004), pp. 158-72.

'Modernity and Myth', in The Cambridge History of Twentieth-Century English Literature, ed. Laura Marcus and Peter Nicholls (Cambridge: Cambridge University Press, 2004), pp. 251-68.

'Michel Serres's Les Cinq Sens', in Mapping Michel Serres, ed. Niran Abbas (Ann Arbor: University of Michigan Press, 2005), pp. 153-69.

'Postmodernism Grown Old', in Cul'tura Post: At The Crossroads of Cultures and Civilisations, ed. Maria K. Popova and Vladimir V Strukov (Voronezh: Voronezh State University Press, 2005), pp. 55-72.

'Rough Magic: Screens', in Thinking Organization, ed. Stephen Linstead and Alison Linstead (London: Routledge, 2005), pp. 183-90.

'Beckett's Atmospheres', in Beckett After Beckett, ed. S.E. Gontarski and Anthony Uhlmann (Gainesville: University of Florida Press, 2006), pp. 52-65.

'Building Breathing Space', in Going Aerial: Air, Art, Architecture, ed. Monika Bakke (Maastricht: Jan van Eyck Akademie, 2007), pp. 118-34.

'Alexandre Vattemare - Ventriloquist', in The Extravagant Ambassador: The True Story of Alexandre Vattemare, The French Ventriloquist Who Changed the World, ed. Earle Havens and Pierre-Alain Tilliette (Boston: Boston Public Library/Paris: Paris Bibliothèques, 2007), pp. 150-7. Published simultaneously in French as 'Alexandre Vattemare, Ventriloque', in L'Ambassadeur extravagant: Alexandre Vattemare, ventriloque et pionnier des échanges culturels internationaux, ed. Earle Havens and Pierre-Alain Tilliette (Boston: Boston Public Library/Paris: Paris Bibliothèques, 2007), pp. 150-7.

‘Pregnable of Eye: X-rays, Vision and Magic’, in Philip Warnell, The Girl With X-Ray Eyes (Leamington Spa: Leamington Spa Art Gallery and Warwick Arts Centre, 2008), pp. 73-88

Essays in Journals

'Samuel Beckett's Animals', Journal of Beckett Studies, 8 (1982): 29-42.

`Myth as Multiplicity in Walter Pater's Greek Studies and "Denys l'Auxerrois" ', Review of English Studies, 34:133 (1983): 28-42.

` "Speaking Likenesses": Language and Repetition in Christina Rossetti's Goblin Market', Victorian Poetry, 22:4 (1984): 439-48.

'The Modern and the Postmodern as History', Essays in Criticism, 37:3 (1987): 181-92.

`The Flag on the Road: Bruce Springsteen and the Live', New Formations, 3 (1987): 129-37.

`Mystics, Myths and Fakers', [with Lynda Nead], Times Higher Education Supplement, 764 (June 26, 1987): 15.

` "Traduttore, Traditore": Samuel Beckett's Translation of Mercier et Camier', Journal of Beckett Studies, 11/12 (1989): 27-46.

` "They're All In One Story": Public and Private Narratives in Oliver Twist', The Dickensian, 85:1 (1989): 2-16.

`Beckett and His Critics', LJ, 1:1 (1990): 26-7.

`George Orwell's Nineteen Eighty-Four and the Politics of Narrative', English Review, 1:3 (1991).

`Problems in the Critique of Postmodernism' (Interview with Chung-Ho Chung), Contemporary World Literature (Seoul), 26 (1991): 102-37.

`On and Of Value: A Reply to Antony Easthope's "The Question of Literary Value" ', Textual Practice, 5 (1991): 24-31.

`Negativity and the Question of Value: Beckett's Worstward Ho', Paragraph, 15 (1992): 121-35.

`The Strangeness of Charles Dickens', English Review, 2:4 (1992): 2-6.

`Dead? Or Alive? Edwin Drood and the Work of Mourning', The Dickensian 89 (1993): 1-18.

`The Poetry of the Meantime: Terry Eagleton and the Politics of Style', The Year's Work in Critical and Cultural Theory, ed. Stephen Regan (Oxford: Blackwell, 1994), pp. 244-64.

'Cultural Studies and Philosophy' (Questionnaire Response), Parallax, 1 (1995): 94-5.

'Reading: The Contretemps', in Strategies of Reading: Dickens and After, special issue of Yearbook of English Studies, 26 (1996): 232-48.

'Transcripts: Law, Literature and the Trials of the Voice', New Formations, 32 (1997): 60-76.

'Fascination, Skin and the Screen', Critical Quarterly, 40.1 (1998): 9-24.

'CP: Or, A Few Don'ts By A Cultural Phenomenologist', Parallax, 5 (1999): 17-31.

'Integuments: The Scar, The Sheen, the Screen', New Formations, 39 (1999): 32-54.

'Slow Going', Yearbook of English Studies, 30 (2000): 153-65.

'Making An Issue of Cultural Phenomenology', Critical Quarterly, special issue on 'Cultural Phenomenology', ed. Steven Connor and David Trotter, 42.1 (2000): 2-6.

'Coming to Bits', REAL: Yearbook of Research in English and American Literature, 17 (2001), 'Literary History/Cultural History', ed. Herbert Grabes, pp. 311-23.

'Kasvetli Ev'in Yayalari', trans. Mehmet H. Dogan, Kitap-Lik, 49 (2001): 171-80; Turkish translation of 'Consequential Ground: The Foot Passengers of Bleak House'.

'Itch, or The Gentle Stranger', Parallax, 19 (2001): 20-30.

'The Decomposing Voice of Postmodern Music', New Literary History, 32 (2001): 467-83.

'The Shame of Being a Man', Textual Practice, 15 (2001): 211-30.

' "A Door Half Open To Surprise": Charles Madge’s Imminences', New Formations, 44 (2001): 52-62.

'Men in Skirts', Women: A Cultural Review, 13 (2002): 257-71.

'Maculate Conceptions', Textile: The Journal of Cloth and Culture, 1 (2003): 49-63.

'Weird Science', New Formations, Special Issue, Remembering the 1990s, ed Joe Brooker and Roger Luckhurst, 50 (2003): 94-105.

'Dickens, The Haunting Man', Literature Compass, 1 (2003) VI 034: 1-11. Online at <http://www.literature-compass.com/images/store/LICO/viewpoints/331.pdf>

'Topologies: Michel Serres and the Shapes of Thought', Anglistik, 15 (2004): 105-17.

'Walking Out', Contemporary, 59 (2004): 54-5.

'Cutaneous: An Interview With Steven Connor', Cabinet: A Quarterly of Art and Culture, 13 (2004): 44-8.

'Chronic Fatigue', Performance Research, 9 (2004): 54-8.

'Ears Have Walls: On Hearing Art', FO A RM, 4 (2005): 44-57.

'Steam Radio: On Theatre's Thin Air', Performance Research, 10 (2005): 4-17.

'Volts From the Blue', Cabinet, 21 (2006): 72-6.

The Menagerie of the Senses, The Senses and Society, 1 (2006): 9-26. In Italian as ‘Il “menage” dei sensi’, trans. Guiliano Bacigalupo, Orsetta Innocenti and Francesco Ghelli, I cinque sensi (per tacer del sesto): Atti della Scuola Europea di Studi Comparati, Bertinoro, 28 agosto – 4 settembre 2005, ed. Francesco Ghelli (Florence: Le Monnier, 2007), pp. 29-45

'Flysight', Cabinet, 25 (2007): 78-84.

'Gasworks', 19: Interdisciplinary Studies in the Long Nineteenth Century, 6 (2008) (online journal).

The Shakes: Conditions of Tremor, The Senses and Society, 3 (2008): 205-20.

‘On Such and Such a Day…In Such a World': Beckett’s Radical Finitude. In Borderless Beckett/Beckett sans frontières, Samuel Beckett Today/Aujourd’hui, 19 (2008): 35-50.

Review of Tobin Siebers, The Ethics of Criticism (Ithaca and London: Cornell University Press, 1988), Textual Practice, 6 (1992): 354-63.

Review Essay: Thomas Trezise, Into the Breach: Samuel Beckett and the Ends of Literature (Princeton: Princeton University Press, 1990); Leslie Hill, Beckett's Fiction: In Other Words (Cambridge: Cambridge University Press, 1990); David Watson, Paradox and Desire in Beckett's Fiction (Basingstoke: Macmillan, 1991), Journal of Beckett Studies, NS, 2 (1992): 121-9.

Review of Marguerite Alexander, Flights From Realism: Themes and Strategies in Postmodern British and American Fiction (London: Edward Arnold, 1990); Gregory Ulmer, Teletheory: Grammatology in the Age of Video (New York and London: Routledge, 1989); Jon Stratton, Writing Sites: A Genealogy of the Postmodern World (Hemel Hempstead: Harvester, 1990), Textual Practice, 7 (1993): 305-16.

`How to Pay Attention', review of Terry Eagleton, The Crisis of Contemporary Culture (Oxford: Clarendon Press, 1993) and Colin McCabe, On the Eloquence of the Vulgar: A Justification of the Study of Film and Television (London: British Film Institute, 1993), Times Literary Supplement, 4704 (May 28, 1993): 15-16.

Review of John Schad, The Reader in the Dickensian Mirrors: Some New Language (Basingstoke: Macmillan, 1992), Swansea Review, 11 (1993): 73-80.

`Honour Bound?', rev. of Cultural Pluralism and Moral Knowledge, ed. Ellen Frankel Paul, Fred D. Miller, Jr. and Jeffrey Paul (Cambridge: Cambridge University Press, 1994); John Frow, Cultural Studies and Cultural Value (Oxford: Clarendon Press, 1995); Frank Henderson Stewart, Honor (Chicago and London: Chicago University Press, 1994); David Parker, Ethics, Theory and the Novel (Cambridge: Cambridge University Press, 1994); Gary Saul Morson, Narrative and Freedom: The Shadows of Time (New Haven and London: Yale University Press, 1994), Times Literary Supplement, 4840 (January 5, 1996), pp. 24-6.

Review of Janet Beizer, Ventriloquized Bodies: Narratives of Hysteria in Nineteenth-Century France (Ithaca and London: Cornell University Press, 1994), Women: A Cultural Review, 6.3 (1995): 327-31.

`Balancing the Book', rev. of Mark Osteen, The Economy of Ulysses: Making Both Ends Meet (Syracuse, NY: Syracuse University Press, 1995), James Joyce Broadsheet, 44 (June 1996): 1.

Review of Embodied Voices: Representing Female Vocality in Western Culture, ed. Leslie C. Dunn and Nancy A. Jones (Cambridge: Cambridge University Press, 1994); Felicia Miller Frank, The Mechanical Song: Women, Voice, and the Artificial in Nineteenth-Century French Narrative (Stanford: Stanford University Press, 1995); Claire Kahane, Passions of the Voice: Hysteria, Narrative, and the Figure of the Speaking Woman, 1850-1915 (Baltimore: Johns Hopkins University Press, 1995), Women: A Cultural Review, 7 (1996): 309-16.

'How He Was', rev. of James Knowlson, Damned to Fame: The Life of Samuel Beckett (London: Bloomsbury Press, 1996) and Anthony Cronin, Samuel Beckett: The Last Modernist (London: Harper Collins, 1996), Bullan: An Irish Studies Journal, 4.1 (1998): 121-6.

'Spending and Spirit', rev. of Regenia Gagnier, The Insatiability of Human Wants: Economics and Aesthetics in Market Society (Chicago and London: University of Chicago Press, 2000), Women: A Cultural Review, 12.2 (2001): 249-51.

'Ghosts in the Machine', rev. of Gaby Wood, Living Dolls: A Magical History of the Quest for Mechanical Life (London: Faber, 2002), Guardian, March 2, 2002.

'K is for Kite', rev. of David E. Newton, Encyclopedia of Air (Westport CT: Greenwood Press, 2004), Times Literary Supplement, 5288 (August 6, 2004), p. 26

'Vox Pox', rev. of Mladen Dolar, A Voice and Nothing More (Cambridge, Mass.: MIT Press, 2006) and Marc Shell, Stutter (Cambridge, Mass.: Harvard University Press, 2006), Bookforum, 13 (April/May 2006), p. 30

Review of Marina Warner, Phantasmagoria: Spirit Visions, Metaphors, and Media Into the Twenty-First Century (Oxford: Oxford University Press, 2006), Independent, 27 October, 2006.

Review of Malcolm Andrews, Charles Dickens and His Performing Selves (Oxford: Oxford University Press, 2006), Dickensian, 103 (2007): 235-7

Review of Nicholas Daly, Literature, Technology and Modernity, 1860-2000 (Cambridge: Cambridge University Press, 2004), Modern Language Review, 103 (2008): 207-8

‘The Fizziness Business’ in The Body and the Arts, ed. Ulrika Maude (London: Palgrave 2008)

‘I Switch Off: Beckett and the Ordeals of Radio’, in Broadcasting Modernism, ed. Jane Lewty et. al. (Gainesville: University of Florida Press, 2008)

‘ “On Such and Such a Day...In Such a World”: Beckett's Radical Finitude’, in Samuel Beckett Today/Samuel Beckett Aujourd’hui,(2008)

‘Atmospherics’, in Sonic Mediations, ed. Carolyn Birdsall and Anthony Emms (Cambridge: Cambridge Scholars Press, 2008)

'Introduction', Michel Serres, The Five Senses, trans. Margaret Sankey and Peter Cowley (London: Continuum, 2008)

‘Beckett and Sartre: The Nauseous Character of All Flesh’, in Beckett and Phenomenology, ed. Ulrika Maude and Mathew Feldman (London: Continuum, 2009)

‘A Short Stirring to Meekness’, in Ways of Knowing, ed. Pieter Verstraete (Amsterdam: University of Amsterdam Press, 2009)

‘Beckett and the World’, in Beckett and Ethics, ed. Russell Smith (London: Continuum, 2009)